The Armani Group and the late designer’s family have issued a formal statement saying they have not authorized, supported or participated in a biographical film about Giorgio Armani that is being produced by Andrea Iervolino. The film, titled Armani: The King of Fashion, is slated to be directed by Danish filmmaker Bille August and written by screenwriter Bobby Moresco.

In a press release sent to Deadline, the Armani Group clarified that it has never been involved in the initiative. The statement reads: “While aware of the existence of Andrea Iervolino & Bille August’s project, Armani: The King of Fashion, the Armani Group has never been involved in the initiative, nor has it authorized, supported, endorsed, or participated in its development or production. The company therefore considers itself entirely unrelated to the project and dissociates itself from both the director and the content of the project.” The release was issued shortly after industry reports confirmed August’s attachment.

The biopic is being produced by Iervolino, a Canadian‑Italian film producer who has been active in the industry since his teens. Iervolino has previously produced films such as Ferrari and is developing a biopic about the Maserati brothers that will star Al Pacino, Anthony Hopkins, Andy Garcia and Jessica Alba. The screenplay for the Armani project is being written by Moresco, who has collaborated with Iervolino on several projects.

Giorgio Armani, who died on September 4, 2025, at the age of 91 from liver failure, was the founder of the eponymous luxury fashion house. His career began in the 1970s and expanded into ready‑to‑wear, accessories, cosmetics and hospitality. Armani’s influence on contemporary fashion is widely documented, and his work has appeared in more than 100 films, most notably in American Gigolo.

The decision to produce an unauthorized biopic is not unprecedented. In 2021, Ridley Scott’s House of Gucci was released without the cooperation of the Gucci family, who later criticized the film for factual inaccuracies. The Armani Group’s statement echoes the concerns that heirs and brand owners often raise when a major figure’s life is dramatized without their input.

Bille August, the director of Armani: The King of Fashion, is a two‑time Palme d’Or winner. His filmography includes Pelle the Conqueror (1987), The Best Intentions (1992), and The Count of Monte Cristo (2023). August has described his work as “elegant, emotionally intelligent and respectful of the lives he portrays.” His involvement brings a level of prestige to the project, but the lack of official endorsement from the Armani family may affect distribution and marketing.

The film’s production timeline remains uncertain. No official release date has been announced, and it is unclear whether the lack of Armani Group involvement will impede the project’s ability to secure financing or distribution deals. The statement from the Armani Group does not preclude the film from being made; it simply indicates that the brand and its representatives are not participating.

Industry observers note that unauthorized biopics can face legal challenges if they use copyrighted material or defame subjects. However, the current information does not indicate any imminent legal action. The film’s producers have not responded publicly to the Armani Group’s statement.

As of now, Armani: The King of Fashion remains in development. The project’s future will depend on the producers’ ability to navigate brand permissions, secure financing, and align with distribution partners. The Armani Group’s disassociation may influence the film’s reception among fans of the designer and the broader fashion community.

In summary, the Armani Group has formally distanced itself from a biopic that it has not authorized. The film, produced by Andrea Iervolino, directed by Bille August, and written by Bobby Moresco, will portray Giorgio Armani’s life without the designer’s family or company’s involvement. The project’s progression will hinge on the producers’ next steps and any potential legal or distribution hurdles that may arise.