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Pixars Hoppers Sequel Rumors: Voice Actors Pitch Ideas While Studio Stays Cautious
When Pixar’s 30th feature, Hoppers, opened U.S. theaters on March 6, 2026, it delivered a fresh story and a strong $372 million worldwide haul—an impressive return for an original animation. Critics praised the film’s humor and environmental message, sparking speculation about a follow‑up.
In a recent interview with ScreenRant for the home‑release of Hoppers, voice actor Bobby Moynihan, who portrays King George, revealed he has a concept for a sequel. Moynihan explained that a new film should reverse the first movie’s premise: instead of a human mind entering a robotic beaver, George would “hop into a human body” to serve as the campaign manager for Mabel Tanaka, who is running for mayor against Mayor Jerry. He added that he is unsure whether the idea is good but believes it is a logical extension of the original story.
Piper Curda, the voice of Mabel, responded that she is “on board” with the idea and would return for a sequel. She said the adventures of Mabel and George “are ripe with material.” Moynihan also floated other possibilities, including a Disney+ series titled Pond Rules, a Fast & Furious‑style beaver‑car racing show that “starts racing into space,” and a dark crime procedural.
Director Daniel Chong, who worked on Turning Red, Lightyear, Elemental, Inside Out 2, Elio, and the upcoming Toy Story 5, said that the team has a strong desire to revisit the world of Hoppers. Chong noted that Pixar only greenlights a sequel when a compelling story emerges. “We’ll just see how it goes. If something rises to the top, it’d be an honor to dive back into that world,” he said.
Producer Nicole Paradis Grindle, whose credits include Incredibles 2, Toy Story 3, and Monsters University, echoed Chong’s caution. She said the studio’s policy is “if there’s a story, we will make it,” but added that the chances of a sequel are good, though no commitment has been made. Grindle also remarked that Moynihan’s idea is “not bad.”
Pixar’s history of sequels provides context for the speculation. The studio has expanded several franchises into multiple films and television series: Toy Story now has five installments, Cars has two films and a TV show, Monsters Inc. has a prequel and a series, and Inside Out received a sequel and a spin‑off show. Finding Nemo earned a sequel, Finding Dory, and a short film featuring Ellen DeGeneres. Upcoming projects include a third Incredibles film slated for 2028 and a Coco sequel with no release date announced.
Despite the enthusiasm, both Chong and Grindle emphasized that Pixar prioritizes quality over quantity. They indicated that a Hoppers sequel would not be produced immediately after the first film’s release, underscoring the studio’s commitment to narrative depth and audience interest.
For now, fans can revisit Hoppers on Disney+, where the 105‑minute film streams with its voice cast—Piper Curda, Bobby Moynihan, Jon Hamm, Kathy Najimy, and Dave Franco—remaining a highlight of the 2026 lineup.
The current status of a Hoppers sequel remains uncertain. No official announcement has been made, and the studio has not committed to a production schedule. The next steps will likely depend on whether a story that satisfies Pixar’s standards emerges and whether the studio sees a strategic fit within its broader franchise plans.
In a recent interview with ScreenRant for the home‑release of Hoppers, voice actor Bobby Moynihan, who portrays King George, revealed he has a concept for a sequel. Moynihan explained that a new film should reverse the first movie’s premise: instead of a human mind entering a robotic beaver, George would “hop into a human body” to serve as the campaign manager for Mabel Tanaka, who is running for mayor against Mayor Jerry. He added that he is unsure whether the idea is good but believes it is a logical extension of the original story.
Piper Curda, the voice of Mabel, responded that she is “on board” with the idea and would return for a sequel. She said the adventures of Mabel and George “are ripe with material.” Moynihan also floated other possibilities, including a Disney+ series titled Pond Rules, a Fast & Furious‑style beaver‑car racing show that “starts racing into space,” and a dark crime procedural.
Director Daniel Chong, who worked on Turning Red, Lightyear, Elemental, Inside Out 2, Elio, and the upcoming Toy Story 5, said that the team has a strong desire to revisit the world of Hoppers. Chong noted that Pixar only greenlights a sequel when a compelling story emerges. “We’ll just see how it goes. If something rises to the top, it’d be an honor to dive back into that world,” he said.
Producer Nicole Paradis Grindle, whose credits include Incredibles 2, Toy Story 3, and Monsters University, echoed Chong’s caution. She said the studio’s policy is “if there’s a story, we will make it,” but added that the chances of a sequel are good, though no commitment has been made. Grindle also remarked that Moynihan’s idea is “not bad.”
Pixar’s history of sequels provides context for the speculation. The studio has expanded several franchises into multiple films and television series: Toy Story now has five installments, Cars has two films and a TV show, Monsters Inc. has a prequel and a series, and Inside Out received a sequel and a spin‑off show. Finding Nemo earned a sequel, Finding Dory, and a short film featuring Ellen DeGeneres. Upcoming projects include a third Incredibles film slated for 2028 and a Coco sequel with no release date announced.
Despite the enthusiasm, both Chong and Grindle emphasized that Pixar prioritizes quality over quantity. They indicated that a Hoppers sequel would not be produced immediately after the first film’s release, underscoring the studio’s commitment to narrative depth and audience interest.
For now, fans can revisit Hoppers on Disney+, where the 105‑minute film streams with its voice cast—Piper Curda, Bobby Moynihan, Jon Hamm, Kathy Najimy, and Dave Franco—remaining a highlight of the 2026 lineup.
The current status of a Hoppers sequel remains uncertain. No official announcement has been made, and the studio has not committed to a production schedule. The next steps will likely depend on whether a story that satisfies Pixar’s standards emerges and whether the studio sees a strategic fit within its broader franchise plans.
